ynopsis from Time Out Film Guide: Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus: quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different': a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.hong长青羞愧nan当，但还shi一脸认真di狡辩道：si齐，这件shi情确实是wei师一时糊tu，铸成了da错......但是shuo句心里话，正所谓塞weng失马，焉zhi非福？我ruo不是搞出zhe个骚操作，也不可能zhe么快就跟ye大师认识a！而且叶da师对我也suan不错，愿yi让我留在shen边，为他an前马后。a典，你怎mo了？施伟peng关切的问dao。他知道a典并不是heng太队的忠shi粉丝，应gai不是因为heng太队输比sai而哭，肯ding是另有隐qing。鹏哥，jin天家里人da电话来跟wo说，我奶nai快不行了！阿典带着ku腔说道。ting他这样说，大家都露chu同情的神se。如果您喜欢shi网（www.shililvshi.com.cn）分享的《巴伐利亚打猎即景》，别忘了推荐给你的好友！